Student Profile
Donna S. Mote
Course of Study:
American Religious CulturesYear of Entry:
2004Areas of Focus:
Evangelical Protestantism in the US SouthJapanese Buddhisms
Visual Ethnography
Cultural History
Ancestor Veneration
Religious Spaces and Places
Education:
| Degree | Institution | City | State | Graduation Year |
|---|---|---|---|---|
| BA | Shorter College | Rome | GA | 1986 |
| MDiv | The Southern Baptist Theological Seminary | Louisville | KY | 1990 |
Teaching Experience:
| Course Title | School | Role | Professor |
|---|---|---|---|
| Introduction to Religion: Buddhist & Christian Practices of Place | Emory College | Instructor | |
| History of Religions in the US | Emory College | Teaching Associate | Gary Laderman |
| Interpreting Religion | Emory College | Teaching Assistant | Laurie L. Patton |
| Baseball and American Culture | Emory College | Teaching Assistant | Dana White and Peter Dowell |
Publications:
| "Making a Mandala," Practical Matters: A Transdisciplinary Multimedia Journal of Religious Practices and Practical Theology, Issue 1, Spring 2009 |
| "My Intergenerational Self," Families That Work, Fall 2006 |
| "Practicing Hospitality in the Classroom," Language Teaching Ideas, Vol 4, No 4, February 2000 |
Conference Presentations:
| Format | Presentation Title | Conference Name | Conference Date |
|---|---|---|---|
| Film Screening | A Miyoshi Obon | International Association of Buddhist Studies | June 2008 |
| Paper Presentation with Film Clips | Bringing Lived Religion to the Teaching of Asian Religions Through Ethnographic Film | Southeastern Council on the Study of Religion | March 2008 |
| Teaching Methods and Materials Session | Bringing Lived Religion to the Teaching of Japanese Buddhisms Through Ethnographic Film | Southeastern Conference of the Association of Asian Studies | January 2008 |
| Film Screening and Discussion | The Practice of Filmmaking in the Study of Japanese Shin Buddhist Religious Practices | American Academy of Religion | November 2007 |
| Film Screening and Workshop | A Miyoshi Obon | Ethnographies Without Texts | April 2007 |
Work Experience:
| Position / Role | Institution | City | State | Dates |
|---|---|---|---|---|
| Founding Managing Editor | Practical Matters: A Transdisciplinary Multimedia Journal of Religious Practices and Practical Theology | Atlanta | GA | September 2007 to July 2009 |
| Graduate Fellow | Emory Center for Myth and Ritual in American Life (MARIAL) | Atlanta | GA | August 2004 to present |
| Principal | David English House | Hiroshima, Japan | 2002-2003 | |
| Director | David English House | Miyoshi, Hiroshima, Japan | 1999-2002 | |
| Teacher | Hiroshima Prefectural University | Shobara, Hiroshima, Japan | 1998-2002 | |
| Teacher | Hiroshima Jogakuin University | Hiroshima, Japan | 1999-2003 | |
| Teacher | Aishin High School | Gotsu, Shimane, Japan | 1999-2003 | |
| Teacher | Hiroshima University | Higashi-Hiroshima, Japan | 2002-2003 | |
| Pastor | Shalom Baptist Church | Louisville | KY | 1995-1997 |
| Teacher | Roane State Community College | Harriman | TN | 1993-1995 |
| Assistant Editor | UMI, Inc | Louisville | KY | 1990-1993 |
| Administrative/Editorial Assistant | Center for Women in Ministry | Louisville | KY | 1989-1990 |
School Community Involvement:
| Position / Role | Institution | City | State | Dates |
|---|---|---|---|---|
| Board of Directors | The Sabbath House | Bryson City | NC | 1999-present |
Practices Concentration:
Core Seminar Paper: The Last People on Earth to Let You Down: Religious Practices of Women Funeral Directors in Metro AtlantaExperiential Requirement: A Miyoshi Obon
Description:
A Miyoshi Obon (2007) is an ethnographic film about Obon, the Japanese Buddhist Festival of the Dead, as it is observed in rural northern Hiroshima prefecture. The film follows a three-generation family as they commemorate the Hatsubon, or first Obon, since a grandfather???s death. The film privileges the integrity of Obon practices as such (i.e., how people do what they do and where and with whom as well as what they do) and the roles of lay people over those of identified ritual experts in the carrying out of religious practices. The film brings the voices and bodily experiences of children into the ethnography and highlights the reading/use of texts as an embodied religious practice. A Miyoshi Obon suggests that the labor- and time-intensive preparations for the three-day interval of Obon as well as the family gatherings and intergenerational practices performed during the festival are as much religious practices as the explicit veneration rites of Obon.